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ADVANCE METAPHYSICS BREAKTHROUGHS into scientific workings and validation of WORSHIP, MEDITATION, DIVINATION, MIRACLES & GEOMANCY FENG SHUI, ASTROLOGY
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Deciphering Metaphysics.
Gobekli Tepe Imagery was about Gilgamesh

Dr Ong Hean-Tatt September 2025
guiunicorn@gmail.com


Deciphering major metaphysic issues scholars think about.
based on science and ancient texts!




Highlighting Gilgamesh

There are animal and human motifs in the T-Pillars sites, like of Gobekli Tepe. There are much speculations about their meanings, but contradictions could have been resolved if there had been deeper references to the wider culture in Mesopotamia, especially of Sumerian and Hurrian cultures.

The previous article especially showed that the Sayburc relief at Sanliufa about 17 km southwest of Gobekli Tepe depicts a man between two leopards (Figure 1). This is well known "Master of Animals" motif, common in the 4000 BC and after in Mesopotamian cultures. This Sayburc relief is very similar to an 2400 BC Akkadian wall mural. The previous article pointed out that this "man between two beasts" especially refers to Flood hero Gilgamesh.

A number of Sumerian murals show Gilgameah with the bull and two lions. The identification of Gilgamesh in the Sayburc relief will facilitate interpretations of other motifs in the T-Pillars sites. In the Sayburc relief, the man in front of the bull would also be Gilgamesh. Enkidu, the male lover of Gilgamesh was also associated with the bull.

  • On the below cylinder seal a naked Enkidu wearing a thong waist girdle (viewer's left) subdues a water buffalo while a half-human bison wearing a waist thong girdle masters a lion (viewer's right). (cf. p. 470. Heinrich Schaeffer & Walter Andrae. Die Kunst Des Alten Orients, Dritte, Neubearbeitete Auflage, 11 und 12 Tausend.. Berlin. Im Propylaen-Verlag. 1925) Pictures, Photos, Drawings, Images and Illustrations of Gilgamesh, Enkidu and Huwawa (Humbaba) of the Epic of Gilgamesh from various Ancient Near Eastern Art Forms. (Part Two) Walter Reinhold Warttig Mattfeld y de la Torre, M. A. Ed. (Revisions through 22 August 2009)



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Enki, God of Creation and Fertility

In the Sayburc relief, Gilgamesh was the male figure in front of the bull. The two lions would also be associated with Gilgamesh. Who was the naked male holding his penis?

In Epic of Gilgamesh, Gilgamesh and Enkidu were helped by Enki, god of creation and fertility. Enki, god of creation and fertility, was associated with the penis

  • AI Overview. A Sumerian god spreads his seed. After Father Enki had lifted his eyes across the Euphrates, he stood up full of lust like a rampant bull, lifted his penis , ejaculated, and filled the Tigris with flowing water. He was like a wild cow mooing for its young in the wild grass, its scorpion-infested cow pen.

    Prehistory is dark, but in Sumer we have cuneiform clay tablets, the beginning of records, stories, ideas about semen, and thus about wet dreams. We find Enki, the creator God, lifting up his penis and ejaculating the Tigris river into the landscapes that give birth to civilization. The 'water' mixes with dirt, and the first humans are made out of clay. Semen here is understood as fertilizing water, but water isn't necessarily just a good thing. Not enough and one dies, too much and one dies, and water is associated with rot, urine, and foul smells. We know that wet things decay, whereas dry things stay clean.
    There is a story of Enki getting sick from eating leaves made from his "spilled waters." He gets pregnant with beings and almost dies because he doesn't have a hole, so he can't give birth. But the goddess, Innana, takes pity on poor Enki. She takes the babies from his belly and delivers them herself. She saves his life.


The Sayburc relief was the story of Gilgamesh, Enkidu and Enki! .

  • AI Overview In the Epic of Gilgamesh, the god Enki (also known as Ea) played a crucial role as a benefactor of humankind. Though not directly a main character, Enki intervened to help the hero Gilgamesh and his friend Enkidu,. notably by providing the knowledge to build an ark to escape a flood sent by other gods. Enki was the Mesopotamian god of wisdom, magic, freshwater, creation, and fertility, often depicted as a wise and cunning figure who sought to protect humanity. [Comments. This was alike to the Egyptian god of fertility, Min. The God Min was also the Egyptian god Amun or Amen Ra].


"Holding the penis" would also be shown as hands above the navel. This is seen in various artefacts as illustrated in Figure 2. .

Once we realise this, we can decipher the other motifs in the T-Pillars sites!



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The Divine Motifs

Figure 2 shows one of the central pillars at Gobekli Tepe, with the image of hands close at the navel. This image is similar to that of the Urfa Man at Sanliufa and also Karahan Tepe.

These hands at the navel could also be hands at the penis (Figure 3). This was, of course, what is seen in the Sayburc relief. It was the image of the god Enki holding his penis! It is natural that the Gobekli Tepe motifs include the "H" which was rightly taken as the symbol of the "Divine" "supreme god".

Wherever this "H" symbol is seen, it indicates the object was related to something divine. This "H" symbol was seen in Pillar 33 and 43 (Figure 4). Pillar 33 is interesting as it shows this "H" was associated with a river of fishes. This is a similar image of the 2300 BC Akkadian seal of Enki (Figure 5).

There is no doubt that the images of Gobvekli Tepe's Pillars 43 and 33 were depicting a similar scene as the 2300 BC Akkadian seal of Enki god of creation and fertility.


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The Other Gilgamesh

Many other animal motifs can be explained through the Epic of Gilgamesh. Like the bull, lion, eagle [or vulture], scorpion, wolf [dog, fox[, etc.

  • AI Overview … Scorpion-Men (Aqrabuamelu) are monstrous, scorpion-humanoid beings that guard the twin gates of the sun god Shamash at the Mashu mountain , which leads to the underworld. Gilgamesh encounters them on his journey to find the secret of immortality from U-tnapishtim. Initially a hostile race created by Tiamat to fight the gods, the Scorpion-Men became guardians who allow only the sun to pass but ultimately permit Gilgamesh to enter after recognizing his divine nature

    AI Overview. … an eagle rescues the baby Gilgamesh from a fall, and he is later raised to become king of Babylon. This tale, recounted by Aelian (a second-century CE Greek writer), connects to broader themes of Mesopotamian mythology and appears in The Book of Giants within the Enochic corpus, suggesting a wider dissemination of Gilgamesh legends. In the canonical Epic of Gilgamesh, however, an eagle plays a different role, appearing in Inanna's tree myth and helping Gilgamesh to get the plant of life for Etana

    AI Overview Gilgamesh is associated with the wolf because … the protagonist rejects the goddess Ishtar by detailing her past cruelties, including how she transformed a shepherd, her former lover, into a wolf that was then attacked by his own dogs.


Interesting, there are associations with the Milky Way and the Tree of Life:

  • AI Overview In Sumerian and Akkadian mythology, Mount Mashu was a sacred, twin-peaked mountain at the edge of the world, serving as the gateway to the underworld and the home of the gods. While there's no direct connection to the Milky Way in the context of Mashu, the Babylonian Enűma Eliš myth describes the Milky Way as being formed from the severed tail of the dragon Tiamat … Mashu … is a great cedar mountain through which the hero-king Gilgamesh passes via a tunnel on his journey to Dilmun after leaving the Cedar Forest , a forest of ten thousand leagues span.[1] Siduri, the alewife, lived on the shore, associated with "the Waters of Death" that Gilgamesh had to cross to reach Utnapishtim in search of the secret of eternal life Mashu. Wikipedia, the free encyclopedia

    AI Overview. Some scholars have explored the connection between the Milky Way and the journey of Gilgamesh , viewing it as a celestial route or a symbolic representation of a larger cosmic journey

    AI Overview … Gilgamesh searches for the Tree of Life , a special plant at the bottom of the sea, to regain his youth and defeat death. After succeeding, he loses it to a snake, which sloughs its skin and is thus reborn.



Check the ancient texts. Many self-styled "gurus" are ignorant of what the ancient texts say and contradict the texts.




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The False Radiocarbon Dating

The association of Gobekli Tepe T-Pillars iconography with the Epic of Gilgamesh identifies these sobering facts:

  • Firstly, the T-Pillars iconography will have the same era as the other Mesopotamian Sumerian era, around 2000 BC to 3500 BC.

    Secondly, the T-Pillars iconography indicate the T-Pillars sites could not be older than the Great Flood time of about 2600 BC.

    Third, reference to the "Tree of Life" further shows the T-Pillars sites could not be older than 4000BC, the reputed Biblical date for creation.


The discussions show that the vaunted radiocarbon dating is a fraud.


Let us not look at these ancient iconography just academically. First at all, realised that some may pretend how scientific they are, but they are highly unprofessional. Know who you should believe; the radiometric cranks or the Creationists


The Spiritual Moral Lessons

The ancients defined these iconography for valuable age-old social lessons. Through such motifs as those of the "Tree of Life", they particularly show that leaders should emphasise acts to safeguard the food of people as well as celebrations associated with the Tree of Life motifs. These iconography portray the "Happy Life of People" – eat well and enjoy well.

Let there be no corruption, which would be punished by God.

The discussions vindicate the stand of the Creationists. Respect religion, remember heroes, study ancient scriptures, trust and love God.





Related articles:
Statistical Evidence that Göbekli Tepe is 2nd to 4th millennium BC, not 10th millennium BC
This exegesis proves that radiocarbon datng is false due to limestone contamination

Amazing Discovery: Gobekli Tepe Culture originated from Hurrian Culture
Among the T-Pillars sites there is a relief showing a man between two beasts. It is known that this man refers to Gilgamesh the Flood hero, who was of 2600 BC. So how can the T-Pillars sites be dated so old as 9000 to 11000 BC?

Gobekli Tepe Iconography was about Gilgamesh There is a T-Pillar relief showing a man between two beasts which refers to Gilgamesh the Flood hero, who was of 2600 BC. Learn that the T-Pillars motifs were about the legend of Gilgamesh. What social moral lessons did the ancients want to preserve?


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File created: 24th August 2012, 24th February 2017